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We value your privacy. Download citation. Request full-text. A 'read' is counted each time someone views a publication summary such as the title, abstract, and list of authors , clicks on a figure, or views or downloads the full-text. Learn more. DOI: Keith Mcmahon. Late Imperial China In this period of not-so-sure adjustment, we still encounter the love fantasy of the elite prostitute and her male patron, which has traditionally constituted a home away from the ritually defined home of marriage and family.
In the novel Flowers of Shanghai Haishanghua liezhuan , by Han Bangqing, this home away from home has now moved to the separate space of the foreign concessions of Shanghai, which is, in effect, a city away from the rest-of-China.
There, where capitalism and foreign laws reign, the role of the traditional masterβConfucian father, local magistrate, or the emperor himselfβhas weakened. Instead we have the vigorous and entrepreneurial prostitute and her male patron, the man whom she "fleeces" qiao as he searches for the woman with the most aura.
It is the particular way Han Bangqing portrays this prostitute that makes the novel so singular. He begins by vilifying her in a manner that is common to other writings of the period, namely, that she wears beauty on the outside but is poisonous within, "The one before your eyes may be as beautiful as the legendary Xishi, but underneath she is more vicious than a yaksha" 1.