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Here it is all about dance - contemplated from many different angles - and about looking at things differently. I became accustomed to this.
That sounds much closer to what we have just witnessed in Bratislava last Friday. If it is so, audiences can be confronted with dull, irrelevant, tedious ballet evenings. For me, it was a particular joy to witness, after such a long time watching the more, in their conception, formal and repetitious works which are forced to endure here in Vienna, these three completely different works with three completely different dance vocabularies, languages.
But please, do not misunderstand me: I enjoy nothing more than a classic repertoire when well and intelligently danced. The pieces are mostly timeless. To give you an example: Who can listen to John Cage 's music in the Cunningham pieces without recognizing and noticing the restrictions that time left on his music?
On the other hand, in years we will still be listening to Tchaikowsky , Ravel , Minkus , Adam and Prokofieff. Do you see what I mean? Three forms of different questioning the same: human relationships and their subtilities, as if being seen through a prism. Sometimes showing us nuances of an egoistic way of going straight through very sinuous ways.
The superb use of the scenery, the action going on everywhere, in different timing and angles and so well conceived that one could never foresee and suspect where or when the next quick action was going to take place. Everything is so well thought out β down to the more simple and minimalistic details. The timing of the actions fascinated me with its nearly visceral visions. Chapeau to Mr Inger for concluding this challenge in such a low-profiled version.