WEIGHT: 67 kg
Breast: 2
One HOUR:50$
NIGHT: +50$
Services: Receiving Oral, Dinner Dates, Sex lesbian, Extreme, Fisting anal
Written by Nicolas Roth. A PhD candidate in the Department of South Asian Studies, I have had the privilege of working with the images in the collection as a student cataloger since the beginning of this year.
There are photographs of works not published elsewhere, and while these often present a frustrating challenge for us as catalogers, they are nonetheless a bit like buried treasure when one comes upon them. Yet even of comparatively well-known pieces the collection sometimes has better β clearer, brighter, higher-resolution β images than those available in printed publications or elsewhere online.
Moreover, Welch frequently took detail shots of interesting features of a work; these are particularly valuable in the case of Indian and Iranian manuscript illuminations and album paintings, with their often small size but prodigious detail. However, the time spent with the collection has also turned out to be quite fruitful for my own research, and has resulted in ample visual material to weave into my dissertation. My project focuses on horticultural writing and garden culture in Mughal India β that is, the role of gardens and gardening in the intellectual and social life of early modern South Asia, and its reflection across a wide variety of literary genres.
Images of gardens, horticultural practices, and plants in Mughal and Rajput paintings are an important complement to these texts, or even a set of texts in themselves. While all three of these plants frequently appear in Mughal painting as motifs inherited from Persian literature and Timurid pictorial tradition, their combined and realistic appearance here, in conjunction with the absence of any of the tropical plants frequently depicted in Mughal art, suggests that this is meant to be a garden in the temperate parts of the Mughal Empire in Kashmir or Afghanistan.
The crowd of scholars and noblemen around Jahangir and the cauldron set up to prepare food point to the social use of gardens as a setting for various types of receptions, while the minutely detailed candles and torches indicate that this particular event is taking place at night.