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Jonathan Soble in Tokyo. Three years after the accident, and with Japan still agonising over the future of nuclear power , Mr Kubota, whose background is in documentaries, has made a film that is more sociological than political. Like the nuclear debate itself, it delivers no easy answers. Making a film set in Fukushima remains a controversial endeavour. But some investors were reluctant to get involved. Almost all the scenes were shot in Fukushima, including several inside the 20km-radius evacuation zone surrounding the plant.
My experience has taught me that people are actually quite aware of their own faults. Homeland shows a community whose existing cracks are widened by the disaster, an approach that he said helped him win over local people, some of whom appear as extras, and the officials whose co-operation he needed to film.
The older brother is me, or the younger brother is me. It is an ambivalence that is felt by many across Japan: in surveys, most people express antipathy to nuclear power, yet voters have not made it a decisive issue when choosing their leaders. Mr Kubota says he has received complaints from some in the anti-nuclear movement that the film is not strident enough. The ruined nuclear plant is never shown in the film, nor are their any flashbacks to the quake, the killer waves or the chaotic evacuation.
The frustrated elder brother, in one scene, claims not even to remember the evacuation. Commenting on this article is temporarily unavailable while we migrate to our new comments system. Note that this only affects articles published before 28th October Jonathan Soble in Tokyo March 10, Reuse this content opens in new window.
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