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Reference Works. Primary source collections. How to publish with Brill. Open Access Content. Contact us. Sales contacts. Publishing contacts. Social Media Overview. Terms and Conditions. Privacy Statement. Login to my Brill account Create Brill Account. Author: Matthew I. It was the region's first cross-ethnic theater: actors were primarily Eurasians, the original backers were Chinese, and audiences were made up of all races and classes.
Spectacle, stirring music, and comedy appealed to the masses, but the theater also sparked public outrage, with racial frictions between actors and finaciers, sex scandels, fights among actors and patrons, bankruptcies, imprisonments, and a murder.