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To learn more about our award-winning solutions, visit Communicorp. Wagner is one of the most problematic artists that ever lived. Countless words have been spilled about his tantalizing gifts and as many about his unsavory character.
It seems impossible his own humanity could ever be called into question. How could such an unlimited imagination exist within a person of such limited views? As a proud Israeli, I am especially sensitive to this question. We can have long debates over that, and we will, but for now, the short answer is obviously in front of youβwe are presenting Wagner in Atlanta.
This production of Das Rheingold is a watershed moment for this company and me personally. Since my first day at The Atlanta Opera a decade ago, we started discussing the then-unimaginable idea of doing this piece in Atlanta. Ten years later, with fifty productions and a mound of obstacles along the way, we arrive at the long-awaited premiere.
I want to thank all of you for following our visionβa vision of real connection to the community, growth and innovation, honoring the old and nurturing the new. I hope you are enjoying our journey. It has been an absolute thrill. This production is dedicated to Speight Jenkins, the greatest Wagnerian I know.
